Scree Fall

Lumen & Logic

A hard-edged two-ink print of one material changing state down the canvas. A solid banner slab sits at the source edge, and a full-bleed comb of near-equal-width ribs pours out from under it — bent at the lip by an edge flare that splays the outermost ribs outward and a slow lean that waves across the middle, both decaying to dead-straight within the first quarter of the run. Every rib stops on a shared settle profile — a single off-centre mound, a range of dunes, a sharp ridge, a quantised terrace staircase or a near-flat horizon — with per-rib raggedness and the occasional deep plunge, so the boundary reads as the surface of a loose pile rather than as a clipped mask. Before it lands, each rib frays: its last stretch breaks into a train of dashes that shrink and separate as they go, so the bar dissolves into granules instead of being cut off. Below the profile the ground is strewn with grains of one uniform size — solid dots, rotated chips, short ticks or rings punched with a counter — jittered on a grid so they never clump and never leave a void, spilling up across the fraying rib feet and down into the strata. A grain that lands on ink is painted in the ground colour instead, so the rib feet look eaten by granulation and the bars look pitted. At the far edge the material settles into a bed of horizontal strata on the rib pitch, its segments lengthening and thinning out with depth until a single near-full-width bar closes the floor. The whole composition is built in a flow-aligned frame, so the same picture pours down, up, left or right. Two flat inks, full bleed — no outlines, no gradients, no shadows, no transparency and no text anywhere.

Medium

Generative algorithm, archival pigment print

Dimensions

60 × 90 cm